I
Sky Woman

Sky Woman

Native Iroquois legend tells of a great island floating high in the sky amongst the clouds, where the Sky People lived long before the world that we know existed. There was no death among them, no sadness — only an eternal luminous peace.

But Sky Woman was with child — carrying twin sons — and her husband, consumed by jealousy and rage, tore out the great light-giving tree at the center of their island and pushed her through the hole into the void below. Two great birds caught her falling form and carried her down toward the dark waters of the primordial earth.

There, the animals gathered. A great turtle offered the shell of its back. Others dove to the seafloor to bring up mud, which they spread upon the turtle's shell, and from that small beginning, the earth was made. Sky Woman stepped onto that land and created the moon, the sun, and the stars. She gave birth to twin sons — Sapling, the gentle creator of beaches and rainbows, and Flint, the agent of chaos, who made winter, volcanoes, and poison. The Great Spirit was pleased with their work. The final gift she gave to humanity was the freedom to dream — not foreseeing what they would do with it.

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Native Iroquois legend tells of a great island
Floating high in the sky amongst the clouds
On which the Sky People lived long before
The world that we know existed

Feelings of death and sadness
Were not experienced amongst the Sky People.
However, one day the Sky Woman
Realized she was giving birth to twins

Her husband flew into a rage
Her husband tore out a light-giving tree and
as she peered down through the hole
her husband pushed her to the world below

Two birds caught her in the air
And carried her to other animals
And together they created the land
By bringing mud from undersea
(To the shell of a turtle's back)

The Sky Woman stepped onto that land
And created the moon, sun and stars.
She gave birth to twin sons, Sapling and Flint
Sapling was the good son

He was gentle and kind, empathy on his mind,
creating beaches and rainbows
But edgy Flint was close behind
seeking to sabotage and undermine

Flint made sure the rivers flowed
In only one direction
He put spiky bones in fish and thorns
On rose and berry bushes
He created winter, ice, earthquakes
Volcanoes and tornadoes
He put poison into snakes and spiders
And on toads and ivy too

The Great Spirit, Mother of birth
Was pleased with the work they had done on the earth
The final gift she bestowed onto man
Was the freedom to dream and rule over the land

But she had not factored him willing
To savagely murder - take pleasure in killing
Each other, all animals, the ocean, forests
Everything that breathes

II
Curse of Jaxx!

Curse of Jaxx!

There was a woman in the town known as Jaxx! — the exclamation mark hers by declaration. She carried books and card tricks hidden in her skirts, and the rumor of the town was that she had studied under a White Witch, whose body she had found dead in the bog. She was not like the others. The townspeople feared what they didn't understand.

The White Witch was murdered. And when Jaxx! learned of it — whether in grief, in love, or in the rage of a daughter who has lost her mother — she plunged a knife and then herself into a well. Her body was never recovered.

But the curse she released in that moment could be felt in the Blood-Moon light. The town's ignorance had cost it everything. The towers of truth crumbled. Peace, happiness, and youth were taken from them. And to the elders who remained, a lesson was passed with great solemnity: save your judgment for the one behind the cold, steel glass — the mirror that shows only yourself.

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Her name was Jaxx!
J-A-double X, exclamation
The punctuation mark
a point of declaration

Hidden in the folds of her skirt
were many books
card tricks and sleights
and a parliament of rooks

Rumor told of the tarot
tattooed upon her breast
Queen of Swords and the veil
of the High-Priestess

The cognoscenti of the town
hailed Jaxx! a student of the White Witch
Whose body she had found
Deep in the bog of a dank ditch

Vengeance off her tongue
came forth a litany of spells
Cast as Jaxx! plunged a knife
and herself into a well

Her broken body never fetched
from the depths of the site
But they could feel her acid tears
In the Blood-Moon light

Was she a lover or a friend
Or her Mother, no one knew
But the curse of Jaxx!
Unleashed a darkness which grew

The ignorance of the town
crumbled the towers of truth
And they were robbed of
Peace, happiness and youth

To the elders that remained
A lesson dutifully passed
Save your judgement for the one
behind the cold, steel glass

III
Rosabelle Believe

Rosabelle Believe

"Rosabelle Believe" was a secret code — known only to the magician Harry Houdini and his wife Bess. Before his death, Houdini promised his wife he would send her a message from beyond the grave using this phrase, proof that consciousness survives death. For ten years after he died on Halloween 1926, Bess lit a candle for him every Halloween and waited. She never received the message. She believed until the day she died.

This song inhabits the space between worlds — the vantage point of Houdini's ghost, desperate to reach her. He can see her. He can feel her grief. He speaks — but the veil does not conduct sound. He touches her face — but matter does not respond to spirit. He loves her with the full force of a man who spent his life mastering the impossible, and the one impossible thing that defeats him is simply this: there may be an afterlife, but there is no possible way to communicate with the living.

The candle burns. She waits. He watches.

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Tempest – stay your thunder from her breast
Release my naked heart into her hands
I haven't the means, I confess
Priestess – sacred knowledge you divine
Alight a torch upon this haunted path
Without your guidance I am blind

I will break the chains of death to feel you near
I will lie with you at night and caress you still my dear
I will defy and provide comfort that you need
Rosabelle, believe

Silence! Spirits do not cross this space
Your tortured soul exacted from this world
A faded scent upon her lace, no more
Turn back - this fate will cause more suffering
The hiss of your last breath is ether now
The spark of life has taken wing

Can you see me I am kneeling at your bed
My voice a rasp of incantations echoing in your head
This mortal coil is withered but my tongue still pleads
Rosabelle, believe

I'll be the whisper through the trees outside your door
I'll be the candle flame alight in your eyes evermore
Can you hear me I am begging for reprieve
Rosabelle, believe

I'll be there to kiss the tears from your sweet face
No spell can vanquish me from your side while I pray to taste
I'll be the key to all the secrets you conceive
Rosabelle, believe

My dreams reside in onyx pools below your brows
I languish in the hair upon your shoulders, my will avows
I will catch the breath from your mouth as it leaves
Rosabelle, believe

IV
Betrayer Moon

Betrayer Moon

This is a fever dream. There is no single narrative here — only the swirling architecture of a mind in crisis, navigating loss, grief, and the peculiar clarity that can emerge from the depths of delirium.

The moon becomes a traitor. Its cold light, which should be romantic, becomes the illumination of betrayal — cascading down over icy tears and crowns of lies, revealing what daylight had obscured. The dreamer falls off a mountain and cannot shake the light. They are caught in quicksand and watch others clamor for the promise of a thick knotted rope. Shadows become flags. Thumbprints on stained glass become labyrinths.

But somewhere deep in the blackness — as the song moves through its fever — there is a resolve. A strength that was cloaked beneath the madness. Spirits that were silent begin to rise. Prisms bend light into rainbows. The sand becomes a beach of bones, yes — but time has crushed those bones into glass, and glass can still catch light.

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Fell off a mountain
Couldn't shake the daylight
Caught the dreams of the sleepers
Knee deep in mire
Quicksand fills the boots
Of the souls who've lost all hope

And they clamor and pine
For the promise of thick knotted rope
And their scars are like ribbons in the sky
Shadows like flags unfurled

Thumbprints on stained glass
Like an oil labyrinth of whorls
A treacherous deception
A tempestuous love in the path of scorching rays

Betrayer moonlight cascading down
Icy tears under a crown of lies
Shimmering madness- jewels of deceit
Killing and cold as a frozen glare

And in blackness there shines
A resolve and a strength that was cloaked
And the spirits once silent, they will rise
From the depths of this poisonous moat

Prisms, bending light into rainbows
Drawn into a cosmic embrace
A planetary shift in the tide pools
The sand, a beach of bones that time has crushed into glass

V
Curse of Pasiphae

Curse of Pasiphae

I. The Minstrel's Prophecy  ·  II. Ire of Poseidon  ·  III. Curse and Conception  ·  IV. Poisonous Vengeance  ·  V. Coda — Citadel of Sorrow

King Minos of Crete was given a white bull by Poseidon — a gift from the god of the sea — with the understanding that it would be sacrificed in his honor. Minos, greedy and proud, sacrificed a lesser animal instead. Poseidon discovered the deception and his rage was absolute.

As punishment, the god cursed not the King, but his Queen — Pasiphae, the immortal goddess of witchcraft and sorcery. The curse ignited a lust so overwhelming and mad that Pasiphae commissioned the great architect Daedalus to build a wooden cow in which she could conceal herself. She lay with the white bull. She was impregnated. And she gave birth to Asterios — the Minotaur, half man, half bull — whom she loved, though the world called him monster.

Daedalus, that same architect, was then charged by Minos to build the great Labyrinth to imprison Asterios forever, wandering its endless halls alone. But the witch-queen's vengeance was not spent. Minos was a faithless and vicious man, and Pasiphae cast upon him a final, annihilating curse: that he would kill each lover he took with his own body. The labyrinth was not only for her son. The labyrinth was for all of them.

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A series of vengeful, desperate acts
put this catastrophe into play
The anger of Gods and their jealous Kings
leads to the curse of Pasiphae

The spell fired lust in the heart of the Queen
to lay with the bull stayed from the blade
A sacrifice denied the God of the Sea
the wrath of these consequences made

An architect whose great skill would allow
a brilliant disguise in the shape of a cow
hollowed out for the Queen to repose
accepting the seed of the snow-white bull

The bastard child suffered the most
half-man and half-bull named Asterios
Condemned to a labyrinth carved of stone
wandering endless halls alone

(Pasiphae:)
"If I had given my body full
you could condemn me as a whore
But this was no act of my free will
this is some madness brought on by a God

What could I have seen in this animal
to assault my heart with this shameful love?
Did he look too handsome in his robe?
A sea of fire smoldering in his eyes?"

King Minos, enraged, tore out his hair
though he had lay with many a maiden fair
The wrath of the Witch-Queen's poison would doom
each mistress the King lay, a death-bed swoon